Showing posts with label Sunday Songs. Show all posts
Showing posts with label Sunday Songs. Show all posts

Sunday, August 28, 2011

Sunday Songs #5: A Game of Thrones ("Winter is Coming")


The book for August's edition of the Bushwick Book Club was A Game of Thrones, the first book in a series recently made crazily popular by HBO's TV adaptation -- everyone and their mother seems to be reading it now (even my mother). It's addictive; I read the first four books in quick succession and had to go back and re-skim the first one to write my song.

I tackled the assignment by making a list of all the things that, if I were listening to a song about A Game of Thrones, I would expect to be included. I've written other songs this way, by making a list (my Ode to Greenpoint, for one). It's a good trick for an assignment song, or any song where you know exactly what it's supposed to be about. The list for this song is below (if you haven't read the book, it'll give you a pretty good idea what it's like).

I wrote the song on the ukulele, but it's long and a little samey and was sounding boring to me, even when I tried alternating strumming and finger picking. So I started messing around on the piano.  I haven't made a habit of playing the piano in public since recitals in the second grade, back when I took lessons; I wasn't a prodigy then, but I was okay. Nowadays, playing piano in front of an audience makes me feel the way I imagine most people feel about being onstage at all: not in control of the outcome, under pressure, on the spot, liable to choke or freeze. But I've made a couple of exceptions for the Bushwick Book Club. (Because if you can't push your comfort zone at Goodbye Blue Monday, where can you? This is a venue with a deliberate goal of encouraging the rough drafts that may transform into brilliant projects.)  

Unexpectedly, I ended up actually writing out an arrangement in something close to actual notation, something else I haven't done in a long time. I didn't have staff paper, so I had to make some up.  

Come the night of the show, the performance was effortful and didn't go exactly as planned, but was not totally embarrassing either. The live recording from the show was too rough to share, so I recorded it again at home to include in the bandcamp album from the evening (especially recommended: Casey Holford's "Five Plus One"). There's another song I wrote on there too, "Hard to be a Woman" (YouTube video here). 

List for A Game of Thrones Song:

The wall
The king in the north
Direwolf
Wildlings
Others
Godswood
Heart tree
Weirwood
Night’s watch
Take the black
Milk of the poppy
Dark wings dark words
Ravens
Dragons
Blue eyes black hands
Wall made of ice
Fear cuts deeper than knives
The hound
Valyrian steel
Littlefinger
Sept
Mad king Aerys
Kingslayer
Dwarf
Incest
Bastards
Eunuchs
Spies
Whores
Sellswords
Flaying 
Raping 
Beheading 
Poisoning

Tuesday, August 16, 2011

Sunday Songs #4: Isabella Rossellini


Have you had the pleasure of watching Isabella's Green Porno series? If you haven't seen these brilliant short films about the sex lives of animals, which she directed and stars in (outfitted in a mind-boggling array of papier-mache insect and marine life costumes), get thee to the Sundance Channel's website post haste.  If you haven't heard Isabella Rossellini talk about whale penises and snail anuses in her beautiful Italian accent, your life is a sad and incomplete thing. 

The Green Porno series inspired the song "Isabella Rossellini," a love letter to the woman herself in the language of these films.  We provide no explanation when we play this number at Sweet Soubrette shows, where it has nevertheless become our first successful audience participation number.  I suppose it's not so hard to understand--everybody wants Isabella Rossellini to love them. 


(Okay, not technically posted on a Sunday, but whatever.)

Monday, August 1, 2011

Sunday Songs #3: Humble Bee


For Charles Darwin’s 200th birthday in 2009, the Bushwick Book Club took on On the Origin of Species, which I read (most of) on my iPhone, on the subway. A quarter of the way into it I was still wondering when we were going to get to the cool stuff, like the finches and the Beagle and the Galapagos islands and the monkeys coming down out of the trees (answer: never, because those are completely different books).

Even so, it was a surprisingly good read. I especially liked the parts where Darwin talks about the webs of relationships among different species that have evolved together, which are what inspired my song “Humble Bee:”
Humble bees alone visit red clover, as other bees cannot reach the nectar. It has been suggested that moths may fertilise the clovers; but I doubt whether they could do so in the case of the red clover, from their weight not being sufficient to depress the wing petals.
Hence we may infer as highly probable that, if the whole genus of humble-bees became extinct or very rare in England, the heartsease and red clover would become very rare, or wholly disappear. The number of humble-bees in any district depends in a great measure upon the number of field-mice, which destroy their combs and nests; and Colonel Newman, who has long attended to the habits of humble-bees, believes that "more than two-thirds of them are thus destroyed all over England." 
Now the number of mice is largely dependent, as every one knows, on the number of cats; and Colonel Newman says, "Near villages and small towns I have found the nests of humble-bees more numerous than elsewhere, which I attribute to the number of cats that destroy the mice." Hence it is quite credible that the presence of a feline animal in large numbers in a district might determine, through the intervention first of mice and then of bees, the frequency of certain flowers in that district!
After Darwin drew this connection between the populations of cats, mice, bees and clover, a contemporary of his, Thomas Huxley, extended the chain (in a spirit of humor, we think) to include the unmarried women who keep cats as pets. Then at some point either Huxley or someone else extended the chain even further to include the British soldiers who eat beef from cattle who live on the clover.

So the chain goes like this: old maids; cats; field mice; humble bees (now known as bumble bees); red clover; cattle; British soldiers.

Sunday, July 24, 2011

Sunday Songs #2: I Like to Take a Bath


This week’s song was written for the book release of The Zinester’s Guide to NYC, a guidebook oriented toward zine writers and other DIY artists edited by Ayun Halliday. Ayun puts out a handwritten quarterly, The East Village Inky, to which I’ve been subscribing for more than ten (!) years, and since her zine is largely about her family life (she began writing it as a way to stay sane while at home with her infant firstborn), along with its other readers I’ve watched her kids grow up in its pages.

Ayun is kind of a hero of mine for developing a vibrant creative life and maintaining her appreciation for underground art and performance while also being married with two kids in the city. She’s a fantastic writer and a master of the hilarious self-deprecating anecdote, with accompanying illustration. She has a bunch of books out now, too. You can check out her work here

Sometime after I started performing as Sweet Soubrette, I met Ayun at a craft fair where she was hawking copies of E.V.I. and introduced myself as a huge fan. Much to my surprise and delight, I was already on her radar (likely thanks to my choice of instrument and her interest in quirky local culture—thanks, ukulele). One thing led to another and a few years later the Bushwick Book Club had agreed to write and perform a bunch of songs at the ZG2NYC book release party at Housing Works. It was like destiny. 

My love for NYC’s communal spa experiences led me to focus on the section of the guidebook devoted to the city’s public baths. (Disclosure: I hadn’t actually been to all of the baths mentioned in the song when I wrote it, but I’m now on a mission to hit them all. Most recently, I visited the Brooklyn Banya, where I learned from the Russian lady who owns the place that wearing a wool hat while in the sauna ensures that only the bad things in your body escape when you sweat, while the good things, like vitamins, stay in. True story!) 

This video was shot in my bathtub. A nice sounding audio recording can be downloaded for free here (lyics are posted too):

Download: I Like to Take a Bath

Sunday, July 17, 2011

Sunday Songs #1: Madame Bovary's Waltz

This post is the first in a new weekly series I’m planning: every Sunday I’ll post an audio or video recording of a song that doesn’t show up on any Sweet Soubrette album, because it’s either too new or too quirky, with a little bit about where it came from.
A lot of these songs come from my involvement in the Bushwick Book Club, a loose collective of local songwriters who write songs based on monthly book assignments by the club’s fearless leader, Susan Hwang. Susan’s reading list over the past two years has been incredibly eclectic, including everything from children’s books to reference texts to pulp to classics, and each book requires a different approach, so it’s an exercise that never gets stale. Writing songs for the book club has helped me learn to trust my instincts as a songwriter, figure out different ways to write, and work to a deadline (the songs are performed at our monthly events, so there’s no wiggle room). I love the challenge of having to figure out each time what I’m focusing on in the book, and what that means I’m trying to do with the song, and then trying to make that happen. It’s like having to design a puzzle and then solve it. I also love being surprised every time by the infinite variety that a single text can produce when filtered through the minds of a dozen different songwriters.
This past February the book was Madame Bovary, which as an ostensibly literary person I’d been half-heartedly meaning to read for a number of years. I confess I didn’t especially enjoy reading it (and might have left it unfinished, intellectually lazy as that is, if not for the song assignment). Flaubert is so cynical about all of his characters.The characters who populate the book are small, petty people, and even Emma, the heroine, is so unsympathetic—her contempt for her dull, complacent husband, her intelligence polluted by sentimental tastes and superficial desires, her dreams shaped by trashy novels. She gets involved in an affair, and then another, and creates an elaborate structure of lies to cover it all up, and then she gets in trouble with money, mortgaging everything to creditors in order to pay for the affairs--fake piano lessons, hotel rooms, gifts for her lover. It’s inevitable that it all come crashing down on her head.
But after it did, and the book was finished, I found myself feeling tender toward Emma in spite of myself. She brought it all on herself, it’s true. But what were her alternatives? Not only could she not change anything about her life, she wasn’t even in a position to know what another (more intellectual, more independent) life might have looked like. It can be fatal to be born in the wrong place at the wrong time, to have vague desires it isn’t possible to meet in your situation and not be able to change your circumstances. The whole tragedy might have been avoidable if Emma Bovary had just been able to move to the city. So my song ended up being sympathetic to her plight after all. Poor Emma.
(Note: the creaking noise you can hear in a few places in the recording is the sound my rickety desk chair makes when I shift my weight. I decided I kind of liked it.)